News / Events
Call for Workshop Proposals
Hexagram-Concordia is currently accepting proposals for research-creation workshops to be delivered during the 2013-2014 academic year.
Proposed workshops should have a clear link to Hexagram-Concordia’s research-creation mandate. They should contribute to the development of the media arts field, help with the training of the next generation of artist-researchers (undergraduate/graduate), and further the development of creative work using current research tools while demonstrating the uniqueness and necessity of other forms of knowledge production. Workshops can be thematic in nature, and should provide an opportunity for advanced skill building and knowledge transfer among researchers, students and other Hexagram community members. The focus may be on technical skills, such as electronics or programming, or on exploratory processes for creative production.
Anyone may submit a proposal. If you are interested in organizing and leading a workshop, we want to hear from you. We also want to hear from you if you have ideas about specific topics for workshops you are interested in taking.
All of the information needed to apply is in this PDF. The deadline is Wednesday, May 15, 2013.
Brown Bag Series: Darsha Hewitt and “Re-imagining Living Room Particle accelerators”
Wednesday April 10th, 2013
12:00 – 1:00 pm
EV 11.705, Hexagram Resource Centre
Photo credit: Johnson Ngo
Description: My artwork evolves out of experiments I conduct in my studio where I explore the physics of electricity and look for ways I can use it as a raw material. This includes harvesting electrostatic transmissions, tapping into electromagnetic emissions, and manipulating live flowing current. In my recent work I have been repurposing trailing-edge communication technology and transforming it into electro-mechanical sound installations and experimental instruments for audio performances. This presentation focuses on my current research that involves repurposing obsolete Cathode Ray Tube (CRT) TVs and using them as static electricity generators. The static charges they produce are used as a kinetic force that drives the movement in my works Electrostatic Bell Choir and Electrostatic Birds. Documentation of the works can be viewed here: www.darsha.org
Bio: Darsha Hewitt is a Canadian artist based in Montreal. She was recently awarded an International Stipend for Young Artists in Sound Art from the Federal State of Lower Saxony and Braunschweig HBK (DE) (2013). In 2011 Darsha received an International Work Stipend from The Edith-Russ-Haus für Medienkunst (DE). She has exhibited her artwork across Canada, in Mexico, Scandinavia and Europe – including presentations at: Make Art Festival (FR), Piksel Festival (NO), La Periferia (MX), MUTEK (CA), Studio XX (CA) and Interacess (CA).
For more information contact us at
To view the complete Winter 2013 calendar, go here.
Brown Bag Series: “Sneaking up on Time” by Dana Samuel
Wednesday April 3rd, 2013
12:00 – 1:00 pm
EV 11.705, Hexagram Resource Centre
Description: My research-creation project entitled “Sneaking Up on Time” constructs performative scenarios for imagining history anew. Working across studio practices and anthropological methods in tandem with contemporary global and media art histories, I explore a “migratory aesthetics” of exile. In this talk, I present my studio process and past artworks, as well as my thesis project’s starting point and methodology.
Bio: In her artwork, Dana Samuel raises questions of history, politics and cultural identity through exploring narrative and storytelling, futility and failure and relationships between digital technologies and obsolete media. Dana holds an Associate Degree from the Ontario College of Art & Design and a Masters of Fine Art from the University of Western Ontario. She has shown her work at galleries and festivals across Canada and in Europe. She is presently an artist-researcher in Concordia’s PhD Humanities program.
For more information contact us at
To view the complete Winter 2013 calendar, go here.
Brown Bag Series: Megan Turnbull and “Memory Process: Examining the impact of Contemporary Media on Memory”
Wednesday March 27, 2013
12:00 – 1:00 pm
EV 11.705, Hexagram Resource Centre
How do we remember? As technology advances we are provided with new formats for recording moments. Does this recorded media, transform how we remember? How can we know that our memories are accurate? Memory Process is an exploration of the ways we remember and forget. It is a collection of qualitative research recorded in various formats such as; photography, video, found footage archive, audio, and animation. During this Hexagram talk I will explore these epistemological questions, illustrate my methodological approach, and share my work.
Bio: A. Megan Turnbull is a Winnipeg-bred Montreal-based artist and director, currently pursuing her MFA in Film Production at Concordia. She has created paper worlds for her films ‘Evolucity,’ ‘Frolic,’ and the National Film Board stereoscopic 3D film ‘Unlaced Délacé.’ Her work has been screened across Canada and internationally. Megan’s work explores the evolving relationship between memories, time and place.
For more information contact us at
To view the complete Winter 2013 calendar, go here.
Distinguished Speakers Series + HEXA_OUT: Nell Tenhaaf
Hexagram-Concordia in collaboration with Hexagram | CIAM and Phi Centre present two events:
HEXA_OUT: When Forms of Life Collide
Roundtable with Nell Tenhaaf and Hexagram | CIAM researchers and students:
Sofian Audry (PhD Humanities, Concordia), Aurélie Besson (Doctorat, Études et pratiques des arts, UQAM), Tagny Duff (Hexagram-Concordia), Louise Poissant (Hexagram-UQAM) Moderated by Chris Salter (Hexagram-Concordia)
1:00 pm – 2:30 pm
Hexagram | CIAM announcements
3:00 – 3:30 pm
When Materialities Multiply: Chaos and Promise between the Computational and Biological Arts
Talk by Nell Tenhaaf, Hexagram-Concordia Distinguished Speaker Series
3:30 – 5:00 pm
Friday, March 22, 2013,
1:00 pm – 5:00 pm
Phi Centre
407, Saint-Pierre Street, Montreal
Free admission
In French and English (without translation)
See below for more info:
Brown Bag Series: Claire Brunet and “Paradox in Sculpture Practices: Perspectives on a 3D Digital Medium.”
Wednesday March 20th, 2013
12:00 – 1:00 pm
EV 11.705, Hexagram Resource Centre
Image: Claire Brunet, Salmon triangle
Artistic creation has mutated from its introvert nature to become a collaborative act merging the scientific and artistic domains into an extrovert process of creation. This talk addresses the Impact of 3D digital technology on artistic creation. Referencing research creation, we explore sensory knowledge inspired by environmental concerns from ecological to technological perspectives. The sculpture installation project proposes opposing temporal forces—a 3D digital and technological approach as a mode of production, in opposition to an ecological statement on the vulnerability of the living environment—which stress the opposing values of an hypermodern society, reflecting on a culture of paradox.
Bio: Claire Brunet is a sculptor, associate professor at OCAD University, and PhD Candidate in the Individualized Program (INDI) at Concordia University. Brunet’s research investigates the impact of a 3D digital and technological environment on sculpture and installation art practices. Currently Brunet is working on ecological concepts addressing the vulnerability of the living environment through 3D digital and technological modes of production.
For more information contact us at
To view the complete Winter 2013 calendar, go here.
Brown Bag Series: Matthew Palmer and “Research is an Intellectual Chore: Using Powerpoint to Blast Through Art History”
Wednesday march 13th, 2013
12:00 – 1:00 pm
EV 11.705, Hexagram Resource Centre
Description: A colleague once told me that Duchamp once quipped, “art is pretty easy.” In the contemporary landscape, art isn’t as easy, probably. We have now entered the age of the interdisciplinary. You can no longer only exist as an “artist.” You must now be a curator, writer, philosopher, theorist, critic, government-subsidized body, scientist, factory worker, foreman, psychologist and political economist. We now call the ability to create artwork and pair it with theory, “research-creation.” This is a wonderful turn in contemporary thought, because it legitimizes everything. This talk will explore explorations in contemporary research as an inherent quality and by-product of labour and the ways in which artists currently utilize sub-systems and structures of thought as a medium of expression, whilst expanding the field of relationships between critical interrogation and making. The medium of this creative talk is standard Powerpoint presentation.
Bio: Matthew Palmer is a transdisciplinary (blasting through disciplines) artist who addresses themes of making and why we think it necessary to question why. His work has been shown across a very limited portion of Canada. He holds almost no accolades with the exception of one friend calling him a, “pretty good guy.”
For more information contact us at
To view the complete Winter 2013 calendar, go here.
Brown Bag Series: Tatiana Koroleva and “Collective Body: Ascetic Ritual in Performance Art”
Wednesday March 6th, 2013 12:00 – 1:00 pm EV 11.705, Hexagram Resource Centre
Collective Body: Ascetic Ritual in Performance Art investigates different modalities of alternative temporal communities that emerge in the process of aesthetic and ritualistic experience in particular in the mode of ritualistic performance art by examination of the work of three contemporary performance artists: Marina Abramovic, Linda Montano, and Ron Athey, as well as my own work. I see the works of these performance artists as different models of what I will argue constitute a model of the collective body, a concept that encompasses the multiplicity of approaches to non-structural immediate communities based on the collective affect and desire produced in performative context. The concept of the collective body, as I will employ throughout this research, derives from a number of theoretical concepts involved with the studies of ritual by Victor Turner, Richard Schechner, George Bataille and Antonin Artaud and my critique of them. A crossover between experimental anthropology and avant-garde theater studies provides an essential background for the analysis of alternative communities that emerge on the margins of the dominant social paradigm in religious ritualistic practices and in a particular strain of Western avant-garde theater associated with ritualistic performance. Bio: Tatiana Koroleva is a performance artist and researcher born in Western Siberia. Her works explore various ways of resistance against dominating standards for individual body in post-capitalist culture. Tatiana has graduated from the Visual Arts Department of SUNY, Buffalo, USA as the Fulbright Program scholarship holder. Currently she is working on her PhD research at the Department of Humanities at Concordia University.
For more information contact us at To view the complete Winter 2013 calendar, go here.